I didn't know what "Mbube" meant until I read this article from the New York Times . It's about a song whose jaunty tune I've whistled many a time, and which I (and probably many others) know as "Wimoweh" or "The Lion Sleeps Tonight".
In 1939
Because blacks are not allowed to have royalties in 1930s South Africa, the studio gives the band a “petty cash voucher” in exchange for the rights to their song.
In 1948 Pete Seeger, a young American folk singer living in Manhattan, receives a copy of “Mbube” from his friend Alan Lomax, who is working for a record company. Lomax had “rescued” a box of records—including “Mbube”—from the trash, which the company had received from an African record company in the hope that they could be re-released in the U.S. Seeger is fascinated by the song and transcribes it for his band, the Weavers, writing the Zulu chant “Uyimbube” as “Wimoweh.” The Weavers record and perform the song to acclaim in the early 1950s.
In A LION'S TRAIL , Seeger explains: “The big mistake I made was not making sure that my publisher signed a regular songwriters’ contract with Linda. My publisher simply sent Linda some money and copyrighted The Weavers’ arrangement here and sent The Weavers some money.”
Thus did Seeger and his group benefit from exploiting (whether knowingly or otherwise) a talented man who was prevented by the laws of his country from reaping the fruits of his intellectual labours.
1 comment:
Whilst Pete Seeger and The Weavers clearly have a case to answer, they are not the only people to have helped themselves to this intelllectual property. Two spring to mind -- The Tokens had a worldwide hit and Scotsman Karl Denver build a whole career on his successful recording of the song in UK in the 1960s.
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